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Equipment

Krabi-Krabong is the art of fighting with various kinds of weapons; both short and long, e.g. sword, long knife, long wooden staff, a glaive with curved blade, lance, short staff, and protective equipment, e.g. shields of various shapes. Each weapon can be used differently, as follows:

1. Krabi (long knife): a weapon for slashing and stabbing, made of good quality iron, flat with a pointed tip, to be used for fighting on level ground.

2. Daab (sword): a weapon for slashing and stabbing, made of good quality iron, flat with a curved tip, heavier than Krabi, to be used for fighting on level ground.

3. Ngaaw (glaive): a long weapon for slashing and stabbing, the Ngaaw itself is made of good quality iron, flat with a curved tip similar to that of the daab but shorter in length, with a long wooden handle, to be used for fighting at a distance from an elephant's back

4. Plawng (long staff): also called “Si Sawk” (lit., “two yards”) is a long weapon for striking.

5. Dahng (shield): a protective device, made of hide or rattan, of oblong shape, curved in section like the fibrous layers on the trunk of a banana plant.

6. Khehn (shield): a protective device, made of hide, of oblong shape.

7. Loh (shield): a protective device, made of hide or weaved rattan, or metal, round in shape, bulging out at the centre.

8. Mai Sahn (short staff): a square piece of wood shaped to the bones of the forearm, to be worn on both forearms and used both as a striking and blocking weapon.

9. Meed sahn (short knife): a short weapon, shaped like a daab, but shorter.

10. Khwaan (axe)

11. Hawk (arrow)

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The Thai arrange the said equipment or weapons into 3 catagories according to their purpose.

1. Real weapons : used in fighting and warfare.

2. Imitation weapons used for performing demonstr

ations : called “kreuang mai ram”, they started to be used when Krabi-Krabong was used for exhibition bouts. Originally, real weapons were used in the exhibition dance before the fight.

3. Imitation weapons used for training : called “kreuang mai dtee”, these imitation weapons are made of rattan, which is a wood easily found in Thailand, with tough and d

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ดurable qualities. These weapons are used in



training as, if the real weapons were used, they might wear out, or be dangerous to the training partner. The use of “kreuang mai dtee” started in the early Rattanakosin period.

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Krabi-Krabong Skills

The important skills to be learnt in Krabi-Krabing are those of: skill in weapon performance and skill in striking (skill in fighting).

The skill in weapon performance : The followin
g are styles of performing the weapons from the text of Kru Nak Tebhusadin Na Ayudhaya:

The Krabi Performance: There are 12 styles in sequence as follows:

1. Loy-chahy 2. Kuang-tahd-hoo 3. Nehb-khaang

4. Dtahng-sahk 5. Juangnaa-juanglahng 6. Juangbpohkpawng

7. Taa-yahk 8. Sawy-daaw 9. Kuang-dtae

10. Waek-maan 11. Lohd-law 12. Chuhn-tian

The Performance of two swords: There are 12 styles in sequence as follows:

1. Dtaw-daam 2. Baeg 3. Tahd-hoo

4. Riang-mawn-sawk 5. Lahd-hua-tian 6. Yahk/Hohng-bpeek-hahk

7. Sawng-glawng 8. Gaa-gah-baat 9. Fahn-see-daa 10. Sawd-sawy 11. Lohd-law 12. Um-tian/Tehp-rahmpeung

The Ngaaw Performance: There are 12 styles in sequence as follows:

1. Tuan-naa 2. Hahk-sawk 3. Paay-reua

4. Dtaw-khaw 5. Sawng-glawng 6. Bpohknaa-bpohklahng

7. Chaak-pikaat 8. Dtai-raaw-bohn 9. Chaak-chiang

10. Dtai-raaw-laang 11. Johbjuang 12. Wohng-wian-wibaak

The Plawng Performance: There are 12 styles in sequence as follows:

1. Taa-ting-lahng-waad-naa 2. Hahk-sawk 3. Naeb-gaay

4. Dtaw-khaw 5. Sawng-glawng 6. Bpohknaa-bpohklahng

7. Sahlahb-fahn-bplaa 8. Dtai-raaw-bohn 9. Khahd-lahng

10. Dtai-raaw-laang 11. Lohd-law 12. Duhn-rahm-pichit- seuk

The Krabi-Krabong trainees should practice these styles of dancing until they are so skilful that they can perform them during the Wai Kru before using them in an actual fight. These styles of dancing, which are equivalent to the “warm up” for international sports before the actual games, were known to the Thais from long ago. The Thais have suitably added the beauty of dance, accompanied by music, to the exercise of bodily strength.

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	Arjarn Tony Moore has attained the unique honor of becoming one of the first ever foreigners to qualify as a Gold Sash Nineth Degree in Krabi Krabong. This is the highest grade ever awarded to non-Thai students of the art and re-affirms Arjarn Tony Moore as the highest qualified Instructor of Krabi Krabong in Great Britain.
	Arjarn Steven Wilson has attained the unique honor of becoming one of the first Americans to qualify as a Gold Sash Seventh Degree in Krabi Krabong. This is the highest grade ever awarded to non-Thai students of the art and affirms Arjarn Wilson as one of very few qualified Instructors of Krabi Krabong in the United States
	Arjarn Michael DeLio has attained the unique honor of becoming one of the few Americans to qualify as a certified Gold Sash Seventh Degree instructor in the art.  Arjarn Michael DeLio as one of very few qualified Instructors of Krabi Krabong in the United States.
	Arjarn Vincent Giordano has attained the honor of becoming one of the first Americans to qualify as a Gold Sash Seventh Degree in Krabi Krabong. This is the third highest grade ever awarded to non-Thai students of the art and affirms Arjarn Giordano as one of very few highly qualified Instructors of Krabi Krabong in the United States.
	Arjarn Jason Webster has attained the unique honor of becoming the first American to qualify as a Gold Sash Sixth Degree in Krabi Krabong. This is the third highest grade ever awarded to non-Thai students of the art and affirms Arjarn Webster as one of the first highly qualified Instructors of Krabi Krabong in the United States.
	Arjarn Arlan Sanford has attained the honor of becoming one of the few Americans to qualify as a Gold Sash Sixth Degree in Krabi Krabong. This is the third highest grade awarded to non-Thai students of the art. Arjarn Arlan Sanford  received his ranking in 1996 at the Buddhai Sawan. He is one of  few highly qualified Instructors of Krabi Krabong in the United States.
	Arjarn Klaus Handke-Prompan  has attained the honor of becoming one of the few Germans to qualify as a Gold Sash Sixth Degree in Krabi Krabong. This is the third highest grade awarded to non-Thai students of the art. Arjarn Klaus Handke-Prompan received his ranking  at the Buddhai Sawan. He is one of a few highly qualified Instructors of Krabi Krabong in Europe
	Ajarn Pedro Solana Villalobos was the first person from Spain to qualify as a Gold Sash 5th Degree in Krabi Krabong. He received his ranking at the Buddhai Swan Temple in 1999. On December of 2000 I received from Wat Buddhai Swan the 8th Degree Gold Sash in Krabi- Krabong.
	Arjarn Jorge Alphonso Tamez  Certified  by  Arjarn Sammai in  1984/5 Alphonso was the  first  non Thai that Arjarn Sammai gave the  Instructor/ Teacher  Gold Sash designation.
	Arjarn Antony James Certified  by  Arjarn Sammai in  1986 and was given the  Instructor/ Teacher Gold Sash designation

The skill in striking : In Krabi-Krabong, the fighting skill is called the skill in striking, which includes the main techniques of striking and the fighters'